THE PETER HALLEY LIBRARY

Consisting of nearly 800 publications, the Peter Halley Library contains books, monographs, exhibition catalogues, and magazines featuring Halley.

1980
Louisiana Major Works, exhibition catalogue, Contemporary Arts Center, New Orleans, LA

1983
Christopher C. Cook and Kyra Montagu, Tradition, Transition, New Vision: An Exhibition of Painting, Sculpture, Drawing, Film, Photography and
Video by 38 Artists Who Are Alumni/ae of Abbot and Phillips Academy 1954–1974, exhibition catalogue, Addison Gallery of American Art, Andover,
MA

1984
Selections from the Artists File, exhibition catalogue, Artist Space, New York

“The Crisis in Geometry,” Arts Magazine (June 1984)

1985
Gerhard Storck, Dreissig Jahre durch die Kunst, exhibition catalogue, krefelder Kunstmuseen, Krefeld, Germany

Robert Smithson: Early Work 1959 - 1962, exhibition catalgogue, Diane Brown Gallery, New York

Alan Belcher, Infotainment, exhibition catalogue, Rhona Hoffman Gallery, Chicago, Texas Gallery, Houston

Biennale de São Paulo, exhibition catalogue, São Paulo, Brazil

"On Line," Journal, n.42 (Fall 1985)

“On Line,” New Observations, n. 35 (1985)

Beth Biegler, East Village Eye, New York (Feb 1985)

Carlo McCormick, “Poptometry,” Artforum (Nov 1985)

Helena Kontova and Giancarlo Politi, "Two Italians in New York," Flash Art, n. 125 (Dec 1985–Jan 1986)

Jeanne Siegel, "The Artist/Critic of the Eighties: Peter Halley and Stephen Westfall,” Arts Magazine (Sep 1985)

Michele Cone, "Conversations with Art Collectors: Michael Schwartz," Flash Art, no. 125 (Dec 1985/Jan 1986)

1986
Peter Halley, exhibition catalogue, Gallery Daniel Templon, New York

El arte y su doble (Art and Its Double: A New York Perspective), exhibition catalogue, Fundación Caja de Pensions, Barcelona

EndGame: Reference and Simulation in Recent Painting and Sculpture, exhibition catalogue, Institute of Contemporary Art, Boston, MA

Europa/Amerika, exhibition catalogue, Ludwig Köln Museum, Cologne, Germany

Johannes Gachnang, "Ich denke, deine Arbeit siecht sehr nach Dubuffet aus," exhibition catalogue, Museum Ludwig Koln, Cologne, Germany

Per Hovdenakk, Norsk/Amerikansk Treffpunkt, exhibition catalogue, Stavanger Faste Galleri, Stavanger, Norway

Political Geometries: on the Meaning of Alienation, exhibition catalogue, Hunter College Art Gallery, New York

Spiritual America, exhibition catalgoue, CEPA Galleries, Buffalo, NY

Tableaux Abstraits, exhibition catalogue, Le Consortium, Dijon, France; travelled to Villa Arson, Centre National d’Art
Contemporain, Nice, France

"Art-at-Andover and After-after-Andover: a conversation between Carroll Dunham and Peter Halley," Addison Journal, (Spring 1986)

"From Criticism to Complicity," Flash Art (Summer 1986)

"The Deployment of the Geometric," Spazio Umano, edited by Enrico R. Comi (Milan, Italy: 1986)

"Untitled," Arts Magazine (Mar 1986)

Alan Jones, “Paravision: An Interview with Tricia Collins and Richard Milazzo,” Galeries Magazine (Aug–Sep 1986)

Andrea Busto, "Arte A Parigi," Mostre and Musei, v. 1, n.2 (Sep 1986)

Barbara Plumb, "Future Perfect: top designers "model" the modern apartment," Vogue, (Aug 1986)

Calvin Tomkins, “Between Neo- and Post-,” The New Yorker, (24 Nov 1986)

Christian Besson, “Tableaux abstraits,” Art Press, n. 106 (Sep 1986)

Dan Cameron, “Transparencies,” Art Criticism (1986)

Dinitia Smith, "Art Fever," New York, v.20, n.16 (Apr 20, 1987)

Donald Jones, "Six Artists At the End of the Line: Gretchen Bender, Ashley Bickerton, Peter Halley, Lluise Lawler, Allan McCollum, and Peter Nagy,"
Arts Magazine, n. 9 (May, 1986)

Donald Kuspit, "New Geo and Neo Geo," Artscribe International, n. 59 (Sep - Oct 1986)

Donald Kuspit, “Young Necrophiliacs, Old Narcissists: Art About the Death of Art,” Artscribe International (Apr–May 1986)

Eleanor Heartney, “Neo-Geo Storms New York,” New Art Examiner (Sep 1986)

Hal Foster, “Signs Taken for Wonders,” Art in America (June 1986)

Jeanne Siegel, “Geometry Desurfacing,” Arts Magazine (Mar 1986)

Joshua Decter, “Peter Halley,” Arts Magazine (Summer 1986)

Journal Magazine (Fall 1986)

Kay Larson, “Masters of Hype,” New York Magazine (10 Nov 1986)

Klaus Ottman, “Supermannerism,” Flash Art, n. 127 (Apr–May 1986)

Markus Bruderlin, "Postmoderne Seele und Geometrie," Kunstforum, v. 86 (Nov, Dec 86)

Michael Boodro, "The Prince of Smart Art," On the Avenue, v.3, n.3 (Nov 1986)

Michele Cone, "Peter Halley," Flash Art (Feb–Mar 1986)

New Observations, n. 42 (1986)

Octavio Zaya, “The End of Neo-Expressionism, or, The Return of Abstraction,” Hartismo, n. 10 (Jan–Mar 1986)

Paul Taylor, “Cumulus from America: The Return of (Conceptual) Art,” Parkett, n. 9 (1986)

Paul Taylor, “The Hot Four,” New York Magazine (27 Oct 1986)

Sei ichi Tanaka, The Avant-Gardes in New York (Japan: Tanaka Studio Inc. 1986)

Sonnabend Advertisement, Artforum (October 1986)

Steven Henry Madoff, “Vestiges and Ruins: Ethics and Geometric Art in the Twentieth Century,” Arts Magazine (Dec 1986)

Tricia Collins and Richard Milazzo, "Art-Trend: SZNE New York," Kunstforum, v. 83 (Mar-May 1986)

Tricia Collins and Richard Milazzo, “Spiritual America,” CEPA Quaterly, v. 1, n. 3 (Spring 1986)

Tricia Collins and Richard Milazzo, “Tropical Codes,” Kunstforum International (Mar–May 1986)

Roberta Smith, “Four Young East Villagers at Sonnabend Gallery,” The New York Times (28 Oct 1986)

1987
"Acquisitions," Solomon R. Guggenheim Museum Annual Report (1987)

Art Against AIDS, exhibition catalogue, Sotheby's, New York

Avant-Garde in the Eighties, exhibition catalogue, Los Angeles County Museum of Art, Los Angeles

Corrado Teano, Terrae Motus at the Royal Palace of Caserta, exhibition catalogue, Fondazione Amerlio Istituto per l'Arte Contemporanea, Naples, Italy

Dan Cameron, NY Art Now: The Saatchi Collection, exhibition catalogue, Saatchi Gallery, London

Generations of Geometry, exhibition catalogue, Whitney Museum of American Art at Equitable Center, New York, NY

Howard N. Fox, Avante Garde in the Eighties, exhibition catalogue, Los Angeles County Museum of Art, Los Angeles, CA

John Chamberlain, Peter Halley, Hubert Kiecol, Gunter Tuzina, exhibition catalogue, Reinhard Onnasch Galerie, Berlin, Germany

Michael Auping, Abstraction, Geometry, Painting: Selected Geometric Abstract Painting in America Since 1945, exhibition catalogue, Albright-Knox Art
Gallery, New York

New York Now, exhibition catalogue, The Israel Museum, Jerusalem, Israel

Perverted by Language, exhibition catalogue, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas)

Post-Abstract Abstraction, exhibition catalogue, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz)

Recent Tendencies in Black and White, exhibition catalogue, Sidney Janis Gallery, New York (curated by Jerry Saltz)

Reconstruct/Deconstruct, exhibition catalogue, John Gibson Gallery, New York (curated by Robert Nickas)

Exhibition catalogue, Reinhard Onnasch Galerie, Berlin

Richard Armstrong, 1987 Biennial Exhibition, exhibition catalogue, Whitney Museum of American Art in association with W.W. Norton, New York

Tricia Collins and Richard Milazzo, The New Poverty, exhibition catalogue, John Gibson Gallery, New York

"Anti-Baudrillard," File Magazine, n. 28 (1987)

"On Line," in Blasted Allegories, edited by Brian Wallis (Cambrigde, MA: The MIT Press, 1987)

“Notes on Abstraction,” Arts Magazine (June 1987)

“Simili-Art,” Connaissance des Arts, n. 428 (Oct 1987)

(Show Advertisment), Arts Magazine, v.62, n.2 (Oct 1987)

Andrew Graham-Dixon, “Neo-Geo,” Vogue, British edition (Sep 1987)

Carter Ratcliff, “I Like the Free World,” Artforum (Feb 1987)

Claudia Hart, "Intuitive Sensitivity: an Interview with Peter Halley and Meyer Vaisman," Artscribe (Nov–Dec 1987)

Claudia Hart, "Ti Shan Hsu," Artscribe International, n. 63 (May 1987)

Dan Cameron, “In the Path of Peter Halley,” Arts Magazine (Dec 1987)

Dan Cameron, “New American Art,” Art & Design, v. 3 (1987)

Demetrio Paparoni, "Geometrismo post-pittorico," Tema Celeste, n.10 (Feb-Mar 1987)

Eleanor Heartney, “The Hot New Cool Art: Simulationism,” Art News, v. 86, n. 1 (Jan 1987)

Enrico Comi, "On Similia/Dissimilia," Spazio Umano/Human Space, n. 4 (1987)

Fred Felhau, “Spotlight: Donald Judd and Peter Halley,” Flash Art (Summer 1987)

Lilly Wei, “Talking Abstract II,” Art in America (Dec 1987)

Mariuccia Casadio, “Bickerton, Halley, Koons e Vaisman: Le premesse teoriche dell’oggestto americano,” Vanity (Jul–Aug 1987)

Mark Stevens, “Neo-Geo: Art’s Computer Hum,” Newsweek (16 Nov 1987)

Matthew Collings, "Posthumous Meaning," Artscribe International, n.65 (Sep/Oct 1987)

P.H. Meyer, “Peter Halley,” Juliet Art Magazine, n. 31 (Apr–May 1987)

Robert Pincus-Witten, “Entries: Electro-Static Cling or the Massacre of Innocence,” Artscribe International (Summer 1987)

Sarah McFadden, "Hate it or Love it, It's a Must-See," Connoisseur, (April 1987)

Steven Henry Madoff, “Purgatory’s Way,” Arts Magazine (Mar 1987)

Stuart Morgan, “Art: A Different Stripe,” Vogue, British edition (Sep 1987)

Tatsumi Shinoda, "Peter Halley," Bijutsu Techo, v. 39, n. 588 (Dec 1987)

Tatsumi Shinoda, “Peter Halley,” Bijustu-Techo (Dec 1987)

Thomas Wulffen, “Tuzina, Halley, Chamberlain, Kiecol,” Artscribe International (Nov–Dec 1987)

Thomas Zaunschirmer and Alexander Puhringer, “Neo-Conceptualists: The New York Scene,” Noemia Art Magazine (Apr–May 1987)

Tricia Collins and Richard Milazzo, “Radical Consumption and the New Poverty: A Discourse on Irony and Superfluity,” New Observations, n. 51 (Oct
1987)

1988
Auction Catalogue, Sotheby’s Auction House, New York, (May 12, 1988)

Jeanne Siegel, ArtWords 2: Discourse on the Early 80s, (Ann Arbor: UMI Research Press, 1988)

Peter Halley, exhibition catalogue, Jablonka Gallery, Cologne

A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York

American Art of the Late 80s: The Binational, exhibition catalogue, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to
Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany

Art at the End of the Social, exhibition catalogue, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo)

Australian Biennale, exhibition catalogue, Art Gallery of New South Wales, Sydney; travelled to National Gallery of Victoria, Melbourne

Christos M. Joachimides, Museum der Avantgarde di Sammlung Sonnabend New York, exhibition catalogue, Reina Sofia Art Center, Madrid

Collection Sonnabend: 25 Years of Selection and Activity, exhibition catalogue, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC
Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale
d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of
Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan

Cultural Geometry, exhibition catalogue, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch)

Hybrid Neutral, Modes of Abstraction and the Social, exhibition catalogue, I.C.I. Exhibition: University Art Gallery, The University of North Texas,
Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati,
OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo)

John Caldwell, Sarah McFadden, and Joan Simon, Carnegie International, exhibition catalogue, Carnegie Museum of Art, Pittsburg, Pennsylvania

Robert Nickas, "Bending the Shape of Time" in Primary Structures, exhibition catalogue, Gilbert Brownstone & CIE, Paris

Three Decades: The Oliver Hoffman Collection, exhibition catalogue, The Museum of Contemporary Art, Chicago

Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, exhibition catalogue, Solomon R.
Guggenheim Museum, New York

New York's New Painters 1988 Portfolio (New York: Vanderbilt University Press, 1988).

"Prints and Photographs Published," The Print Collector's Newsletter, v.xix, n.1 (Mar-April 1988)

Achille Bonita Oliva, “Neo-America,” Flash Art (Jan–Feb 1988)

Adam Gopnik, “The Originals,” The New Yorker (23 May 1988)

Allen S. Laughon and Sean B. Carroll, "Inside the Homeobox," The Sciences (Mar-Apr 1988)

Bob Colacello, "At Home On the Art Ranch," Vanity Fair, v.51, n.4 (Apr 1988)

Charles Gandy, "60s 90s", House and Garden, v.160, n.4 (Apr 1988)

Daniela Morera, “Art Now,” L’Uomo Vogue (Dec 1988)

David Carrier, “Baudrillard as Philosopher, or, The End of Abstract Painting,” Arts Magazine (Sep 1988)

Dodie Kazanjian, “Collins & Milazzo, Talent Scouts,” House & Garden (Dec 1988)

Enrico Comi, "Ileana Sonnabend, Great Lady of Art," Spazio Umano, n.8 (May 1988)

Gianfranco Mantegna, "Tecnologia trascendentale: Peter Halley; The Transcendence of Technology: Peter Halley," Tema Celeste (Dec 1987–Feb
1988)

Herbert Muschamp, "Forward into the Futurama," House and Garden, v.160, n.9 (Sep 1988)

Hiroko Tanaka, “Peter Halley,” Hi Fashion, n. 166 (Feb 1988)

Jeanne Siegel, Art Talk: The Early 80s, (New York: Da Capo Press, 1988)

Jeremy Gilbert-Rolfe, "On Peter Halley: Collected Essays 1981 - 87," Artforum, v.xxvii, n.3 (Nov 1988)

Jeremy Gilbert-Rolfe, “Non-representation in 1988: Meaning Production Beyond the Scope of the Pious,” Arts Magazine (May 1988)

Kathryn Hixson, "Art Press Review," New Art Examiner, v.16, n.4 (Dec 1988)

Liliana Albertazzi, "Maria De Corral," Galleries Magazine, n.23 (Feb-Mar 1988)

Lisa Liebmann, "Ross Bleckner's Mood Indigo," Artnews, v.97, n.5 (May 1988)

Margaret Sundell and Thomas Beller, "An Interview with Peter Halley,” Splash (Summer 1988)

Mel Bochner, "Ileana Sonnabend," Galeries Magazine, n.25 (Jun-Jul 1988)

Michel Segard, “Peter Halley,” New Art Examiner (June 1988)

Paul Taylor, “Spotlight: Cultural Geometry,” Flash Art (May–June 1988)

Ronald Jones, “Hover Culture,” Artscribe (Summer 1988)

Ronald Jones, “Peter Halley,” Artscribe (Summer 1988)

Russell Bowman, "Director's Report," Milwaukee Art Museum 1988 Annual Report (1988)

Thomas McEvilley, “Marginalia,” Artforum (May 1988)

William Grimes, "How to Talk Art," Avenue, (Feb 1988)

Peter Halley: Collected Essays 1981–1987 (Zürich: Bruno Bischofberger Gallery, 1988)

1989 Bernhard Bürgi, 256 Farben & Basics on Form (Zurich: Konstruktive und Konkrete Kunst Zurich, 1989), 25–26

1989 10 + 10: Contemporary Soviet and American Painters, exhibition catalogue, Modern Art Museum of Fort Worth (New York: Harry N. Abrams, 1989).

1989 A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue)

1989 Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami

1989 Abstraction–Geometry–Painting, Albright-Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue)

1989 Alred Birnbaum, Our Thresholds: What's In-Between Here and There, exhibition catalogue, Workshop for Architecture and Urbanism (Tokyo, Japan: In-Between Planning Committee, 1989) "Deployment of the Geometric" by Peter Halley

1989 Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue)

1989 Daniel Templon, Musee Temporaire, Foundation Daniel Templon (Paris, France: Frejus, 1989): 68-69. (catalogue)

1989 Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue)

1989 Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue)

1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert-Rolfe, catalogue)

1989 Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue)

1989 Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue)

1989 Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue)

1989 Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue)

1989 Science–Technology–Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue)

1989 Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux-Arts, Brussels (catalogue)

1989 "Flatland," Tema Celeste, v.vii, n.1 (Jan-Mar 1989): cover, 32-35

1989 "Goings on About Town," The New Yorker, (Dec 11, 1989): 21.

1989 "The Political Picasso: Anarchism Unveiled," Arts Magazine, v.63, n.10 (Summer 1989): 27.

1989 Ann Berman, "The Art Wheel of Fortune," Avenue, (Feb 1989): 104-105.

1989 Christian Leigh, "Into the Blue," Art & Auction (May 1989): 268.

1989 Christian Leigh, “The Silent Baroque,” Balcon, n. 5–6 (1989): 56–65.

1989 David Batchelor, "A Man in a Sombrero Frying an Egg," Artscribe (Summer 1989): 95.

1989 Demetrio Paparoni, "Silence and Meaning. Peter Halley," Tema Celeste (Jul–Sep 1989): 55–57.

1989 Demetrio Paparoni, “Silenzio e Significato: A Conversation Between Peter Halley and Demetrio Paparoni,” Tema Celeste (Oct–Dec 1989): 51–53.

1989 Demetrio Paparoni, Michelangelo Castello, Specchi Ustori (Italy: Tema Celeste, 1989), 35 -40

1989 Edition Schellmann 1969-1989, exhibition catalogue, Tatyana Grossman Gallery (New York, NY: Edition Schellmann, 1989), 127 - 132.

1989 Hiroko Tamaka, "Art is Beautiful: Interviews with New York," Kawade Shobo Shinsha (1991): 165-168

1989 Isabelle Graw, “Spotlight: The American Bi-National,” Flash Art (Jan–Feb 1989): 108–109.

1989 James Hall, "Neo-Geo's Batchelor Artists," Arts International (Winter 1989): 34.

1989 Jerry Saltz, "Playing for Keeps," House and Garden, (October 1989): 162-169.

1989 John Miller, “Peter Halley’s Geometry and the Social,” Artscribe (Mar–Apr 1989): 64

1989 Jorge Luis Marzo, “L’abstracció geomètrica americana. L’ingrés en el social: Peter Halley i la crítica tecnològica,” Quaderns: Fundació Caixa de Pensions (Sep 1989): cover, 40–50.

1989 Kenneth Baker, “Review: Carnegie International, Carnegie Museum of Art,” Artforum (Mar 1989): 138–139.

1989 Robert Vidali, "Translations," Juliet, n.45 (Dec 1989): 16-18.

1989 Sara Barrett, "My Kid could do that," Spy, (June 1989): 102 - 111.

1989 Steve DiBenedetto, Peter Halley, Robert Nickas, "Climates of Site," Arena, n.0 (Jan 1989): 48-57.

1989 Tema Celeste (Jan 1989)

1989 The New Museum of Contemporary Art, Auction catalogue, New York, 1989, Twelfth Anniversary Benefit Auction.

1989 Waldemar Januszczak, “Art,” Hanatsubaki, n. 474 (Dec 1989): 40.

1989 Walter Robinson, "Back to the Future," Elle, v.iv, n.5 (Jan 1989) 82 - 84.

1989 Peter Halley: Recent Paintings, exhibition catalogue, Krefelder Kunstmuseen, Museum Haus Esters, Krefeld, Germany.

1989 Peter Halley, Recent Paintings, Institute of Contemporary Art (London, England: 1989)

1989 Wendy Weitman, "For 20 Years: Editions Schellmann," MoMA Members Quarterly, v.2, n.2 (Fall 1989): 4.

1990 D. M., “The Labyrinths of the Artist,” L’Hebdo, Paris, 17 Apr 1992, 93.

1990 Eleanor Heartney, Judith Russi Kirshner, et al, The Refco Collection (Chicago: Refco Group, 1990), 70–71.

1990 Hiroko Tanaka, Art is Beautiful: Interviews with 25 New York Artists (Tokyo: Kawade Shobō Shinsha, 1990), 165-168.

1990 Scritti Sull'Arte ed Altro, Italian translation of Collected Essays (Siracusa, Italy: Tema Celeste, 1990).

1990 Xavier Girard, Art Collectors, Volume 1 (Paris: editions numero 5, 1990), 206-219.

1990 Yves J. Hayat and Florette Camard, Art Collectors, Volume 2 (Paris: Editions Numero 5, 1990), 206–219.

1990 Anna Moszynska, Abstract Art (World of Art) (London: Thames and Hudson, 1990), cover, 6, 227–228.

1990 Edward Lucie-Smith, Art in the Eighties (New York: Phaidon Press, 1990).

1990 Giancarlo Politi and Helena Kontova, eds., Flash Art: Two Decades of History, XXI Years (Cambridge, MA: MIT Press, 1990), 178.

1990 “Ronald Jones, Marcel Duchamp, and The New South,” in Ronald Jones, exhibition catalogue (San Jose: Museum of Art, 1990).

1990 “The City as Festival,” in Robert Tannen: REPROspective evitcepsORPER, exhibition catalogue (New Orleans: Contemporary Art Center, 1990).

1990 Curtis L. Carter, Images of Death in Contemporary Art, exhibition catalogue, The Patrick and Beatrice Haggerty Museum of Art (Milwaukee, WI: Marquette University, 1990), 29-34.

1990 Julian Heyman, Weitersehen 1980-1990, exhibition catalogue, Museen Haus Lange und Haus Esters (Krefelder, Germany: Krefelder Kunstmuseen und die Kunstler, 1990), 42, 47.

1990 Kunst in New York: Umweg Moderne / Modern Detour: R.M. Fischer, Peter Halley, Laurie Simmons: Wiener Secession, 19. Oktober bis 2. Dezember 1990 (Wiener Secession, 1990).

1990 Red, Galerie Isy Brachot, Brussels (curated by Robert Nickas, catalogue)

1990 The Future of the Object! A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue)

1990 The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue)

1990 Un Art de la Distinction? The Art of Distinction?, Abbaye Saint-André, Centre d'Art Contemporain, Meymac, France (catalogue)

1990 Word as Image: American Art 1960–1990, Milwaukee Art Museum, Milwaukee, WI (catalogue); travelled to Contemporary Arts Museum, Houston, TX; Oklahoma City Art Museum, Oklahoma City, OK

1990 Brooks Adams, “Peter Halley at Sonnabend,” Art in America (Mar 1990): 195–196.

1990 Catherine Marron, "The Pleasure of Their Company," House and Garden, (Oct 1990): 188.

1990 Deborah Solomon, "Geometry Lessons," House and Garden, (Aug 1990): 88.

1990 Giancarlo Politi, "Peter Halley," Flash Art, n. 150 (Jan–Feb 1990): 81–87.

1990 Gretchen Faust, “Peter Halley,” Arts Magazine (May 1990): 112–113.

1990 Jan Avgikos, "Tell Them it Was Wonderful," Artscribe (Mar–Apr 1990): 67.

1990 Rainer Metzger, “Peter Halley, Julian Opie, Giulio Paladino,” Flash Art (Oct 1990): 162–163.

1990 Robert Mahoney, "New York in Review," Arts Magazine, v.64, n.7 (Feb 1990): 101.

1990 The Paris Review, v.32, n.116 (Fall 1990): 6.

1990 “The Americans,” in Peter Halley, exhibition catalogue (Boston: Mario Diacono Gallery, 1990).

1991 Edition Schellmann, auction catalogue, Munich-New York, 1991 [graphics 5].

1991 Kathryn Hixson, "Peter Halley at Rhona Hoffman," Gallery Guide, v.ii, n.9 (May 1991): 9.

1991 Peter Halley, Museo Nacional Reina Sofia, Madrid (catalogue)

1991 1991 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue)

1991 American Abstraction at the Addison, Addison Gallery of American Art, Andover, MA; travelled to Cheekwood-Tennessee Botanical Gardens and Museum of Art, Nashville, TN; Wichita Art Museum, Wichita, KS; Huntsville Museum of Art, Huntsville, AL; C.A.J. Memorial Gallery, Newport Harbor Art Museum, Newport Beach, CA; Terra Museum of American Art, Chicago; Huntington Museum of Art, Huntington, WV (curated by Jock Reynolds, catalogue)

1991 Art of the 1980s: Selections from the Collection of the Eli Broad Family Foundation, Duke University Museum of Art, Durham, NC (booklet)

1991 Christos M. Joachimides and Norman Rosenthal, Metropolis (catalogue)

1991 Conceptual Abstraction, Sidney Janis Gallery, New York (catalogue)

1991 Contemporary Art from The Collection of Jason Rubell, Duke University Art Museum, Durham, NC (catalogue)

1991 In anderen Raumen, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue)

1991 Luciano Caramel, Reggiani, exhibition catalogue, (Milan, Italy: Gruppo Editoriale Fabbri, 1991), 31.

1991 Maria de Corral and Peter Halley, Peter Halley (Madrid: Ministerio de Cultura, 1991).

1991 Metropolis: International Art Exhibition, Berlin 1991, Martin-Gropius-Bau, Berlin (catalogue)

1991 Objects for the Ideal Home: The Legacy of Pop Art, Serpentine Gallery, London (catalogue)

1991 Power: Its Myths and Mores in American Art, 1961–1991, Indianapolis Museum of Art, Indianapolis, IN; travelled to Akron Art Museum, Akron, OH; Virginia Museum of Fine Arts, Richmond, VA (catalogue)

1991 Robert Nickas, 1969 (New York: Daniel Newburg Gallery, 1991).

1991 Sélection, exhibition catalogue (Pully/Lausanne, Switzerland: FAE Musee d’art contemporain, 1991).

1991 The Painted Desert: Le Desert Peint, Galerie Renos Xippas, Paris (curated by Robert Nickas, catalogue)

1991 Vertigo, Galerie Thaddaeus Ropac, Paris (curated by Christian Leigh, catalogue)

1991 "Prints and Photographs Published," The Print Collector's Newsletter, v.xxii, n.5 (November-December 1991): 175

1991 “Geometry and the Social,” Balcon, n. 8–9 (1991).

1991 Bill Jones, "Peter Halley, Robert Rauschenberg, Mel Bochner," n.30 (Mar-Apr 1991): 85.

1991 James Hillman, “The Repression of Beauty,” Tema Celeste (May–June 1991): 58–64.

1991 Jerome Sans, “Peter Halley,” Beaux Arts (Dec 1991): 107–109.

1991 Steve di Benedetto, "Site and Non-Site," Flash Art (Nov–Dec 1991): 100–102.

1991 Susan Kandel, "L.A. in Review," Arts Magazine, v.65, n.7 (March 1991): 107

1991 The Paris Review, n. 119 (Summer 1991): cover.

1991 William Norwich, "People are Talking About," Vogue, (Nov 1991): 101.

1991 Peter Halley: Works from 1982 - 1991, exhibition catalogue (Bordeaux, France, CAPC Musee d'art contemporain)

1992 La Crise de la Géométrie et Autre Essais 1981–1987, French translation of Collected Essays (Paris: École Nationale Supérieure des Beaux-Arts, 1992).

1992 Landscape Untitled: Peter Halley, Albert Oehlen, Christopher Wool, Galeria Senda, Barcelona (booklet)

1992 “Abstract Space,” in Through the Looking Glass: Artists First Encounters with Virtual Reality, exhibition catalogue (New York: Jack Tilton Gallery,1992).

1992 Michael Danoff, "Peter Halley Paintings 1989 - 1992," Des Moines Art Center (Des Moines, IA: 1992)

1992 "On the Cover: Peter Halley at the FAE Museum of Contemporary Art," Gallery Guide, v.2, n.4 (Mar/Apr 1992): cover, 8.

1992 Barry A. Rosenberg, The City of Influence, exhibition catalogue, The Aldrich Museum of Contemporary Art (Ridgefield, CT: 1992), 9 - 14.

1992 David Perreau, “The artists associated with Neo-Geo,” It’s Not the End of the World (Rennes: Centre d’histoire de l’art contemporain, 1992).

1992 Jordan Doner, Peter Halley: Beyond Art and Commerce Toward A Philosophy of Manic Optimism (Paris: Thaddaeus Ropac, 1992).

1992 Psycho: Inaugural Exhibition, KunstHall, New York (catalogue)

1992 Ross Bleckner, Richmond Burton, Peter Halley, Philip Taaffe, Rubenstein/Diacono Gallery, New York (catalogue)

1992 The City Influence: Ross Bleckner, Peter Halley, Jonathan Lasker, The Dayton Art Institute Museum of Contemporary Art at Wright State University, Dayton, OH (catalogue)

1992 Theoretically Yours, Regione Autonoma della Valle d'Aosta, Chiesa di San Lorenzo, Aosta, Italy (curated by Collins & Milazzo, catalogue)

1992 Who’s Afraid of Duchamp, Minimalism, and Passport Photography?, Annina Nosei Gallery, New York (curated by Collins & Milazzo, catalogue)

1992 "Abstraction and Culture," Tema Celeste, n.35 (Apr-Jun 1992): 45-48.

1992 "Goings on About Town," The New Yorker, v.lxvii, n.14 (May 25, 1992): 17

1992 “Openings: Scott Grodesky,” Artforum (Nov 1992): 102.

1992 “Peter Halley Proves His Rights,” Flash Art International, n. 166 (Oct 1992): 122.

1992 Alolo Palazzolo, "Lettere Al Direttore," Tema Celeste, n.35 (Apr-Jun 1992): 84.

1992 Celia Montolio, “Geometrías escondidas,” Revista Internacional de Arte Lapiz, n. 88 (1992): 32–43.

1992 Chantal Michetti-Prod’Hom, “Géométrie et société,” IAS Ingénieurs et Architectes Suisses, n. 11, 13 May 1992, 230–233.

1992 David Bourdon, “Seeing It All, or Six Weeks in Manhattan Galleries,” Art in America (Sep 1992): 51–61.

1992 Elio Cappucio, "Intervista exclusiva Arthur C. Danto," Segno, v.xvi, n. 9-10 (Oct-Nov 1992): 40-42.

1992 Francoise-Helene Brou, "Peter Halley," Scenes Magazine, n.58 (May 1992): 70.

1992 Marja Bloem, "Peter Halley Schilderijen 1982 - 1991," Bulletin, (Sep 1992): 52 - 54.

1992 Michael Schwartz, "Peter Halley," Galleries Magazine, n.5 (Dec/Jan 1992): cover, 78-87.

1992 Monica Geran, "The Alchemy of Art, " Interior Design, v.63, n.6 (Apr 1992): 140-143.

1992 Renee Steenbergen, “Schilderijen van Peter Halley in Stedelijk Museum: Biografie in fluorescerend gekleurde vierkanten,” Kunst, Amsterdam, 30 Sep 1992, 10.

1992 Robert Fleck, “Peter Halley, Broad Conduit Boogie-Woogie,” Flash Art (Summer 1992): 109.

1992 Scott Grodesky, "Openings: Peter Halley," Artforum, (Nov 1992): 102.

1992 Galeries Magazine, no 46, December - January

1993 Adam Simon, At Four Walls: the Neurotic Art Show (New York: Four Walls, 1993).

1993 Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet)

1993 Bernard Kerber, Best ande Onnasch, exhibition catalogue, Museum Weserburg (Bremen, Germany: Ludwig Vegt, 1993), 280-82.

1993 Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice

1993 Italia-America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue)

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue)

1993 Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue)

1993 Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue)

1993 New York Painters, Sammlung Goetz, Munich (catalogue)

1993 Yale Collects Yale, Yale University Art Gallery, New Haven, CT

1993 "My Portrait by Andy," Frieze, n.16 (May 1994): 40.

1993 "Pictorial Computer Society," Hangwa Geijutsu, n.82 (1993), 150-153.

1993 "Recent Accessions," Des Moines Art Center News, (Jul-Aug 1993): 2.

1993 "Sieg der FotoKunst," Capital, n.11 (Nov 1993): 228.

1993 “Some Notes on the Computer Landscape,” Tema Celeste, n. 40 (Spring 1993): 51.

1993 Aimee C. Shieh, "Halley/Sonnabend Suit Settled," New Art Examiner (Sep 1993): 9.

1993 Arturo Schwarz, “One Show Not to Miss,” Segno (1993): 39–40.

1993 Charles Warren, “Seize the Apparatus,” Tema Celeste (Spring 1993): 45–49.

1993 Design Quarterly, n. 159 (Spring 1993), cover.

1993 Laurie Ziegler, “The Ties that Bind,” New Art Examiner (Summer 1993): 12–17.

1993 Michael Corris and Robert Nickas, “Punishment and Decoration, Art in the Age of Militant Superficiality.” Artforum (Apr 1993): 81.

1993 Peter Halley, "Etter Kunsten," Kunstnere Om Kunst, (1993): 221 - 226.

1993 Sean McGee, "Schnappschub," Manner Vogue, (Mar 1993): 147.

1993 Stefan Römer, “Peter Halley,” Kunstforum (1993): 351.

1993 Terry R. Myers, “Peter Halley,” Art Issues (Jan–Feb 1993): 38.

1993 Wall Works, Edition Schellmann, Cologne, Germany

1994 65 Thompson Street, Auction Catalogue, New York, 1993 [Merce Cunningham Dance Company Benefit Art Sale].

1994 Christies, "Red Windows," Auction Catalogue, New York, 1994

1994 MoCa Los Angeles, Auction Catalogue, Los Angeles, 1994 [Sixth Biennial Art Auction].

1994 David Carrier, The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s (University Park, PA: The Pennsylvania State University Press, 1994), 95, 99.

1994 Robert Nickas, "A Rejected Text" in ACME Journal, (Vol 1 No.3 1994): 83.

1994 Adam Simon, At Four Walls: Terminal Instructions (From the Technocracy) (New York: Four Walls, 1994), 7-35.

1994 “Intersection,” in The Use of Pleasure, exhibition catalogue (San Francisco: Terrain Gallery, 1994).

1994 30 Years: Art in the Present Tense, The Aldrich Contemporary Art Museum, Ridgefield, CT (catalogue)

1994 Come dire, splendori, Pontormo Rosso Gallery, Carmignano, Italy (catalogue)

1994 Come Dire, Splendori: Massimo Barzagli, Paolo Fabiani, Peter Halley, Andres Serrano, exhibition catalogue (Carmignano, Italy, 1994)

1994 Cross and Square Grids, Museum of Modern Art, Saitama, Japan

1994 Das Americas, Galeria Luisa Strina, São Paulo, Brazil (catalogue)

1994 Don’t Look Now, Thread Waxing Space, New York (catalogue)

1994 Elvis + Marilyn: 2 x Immortal, Institute of Contemporary Art, Boston, MA (catalogue)

1994 Guillermo Ferrer, Used Shoes and Artists Workshops, exhibition catalogue, Fundacio Pilar: Joan Miro (Mallorca, Spain: Camper, Apr - May 1994).

1994 Peter Halley, "Nature and Culture," Fionnuala Ni Chiosain, exhibition catalogue, Kerlin Gallery, Dublin (Dublin: Kerlin Gallery, cornerhouse, 1994): 3-6.

1994 Punishment + Decoration, Hohenthal und Bergen, Cologne, Germany

1994 The Use of Pleasure, Terrain Gallery, San Francisco, CA (curated by Robert Nickas)

1994 “My Portrait by Andy,” Frieze, n. 16 (May 1994): 40.

1994 Caroline M. Sharp, "That's Right," Bomb Magazine, (Summer 1994): 72.

1994 Gilles Fuchs And Nina Ricci, "The Ideal Blend," Galleries Magazine, n.61 (Oct/Nov 1994): 94.

1994 Jeffrey Slonim, “Sister Acts, Take Two,” Artforum (Mar 1994): 8.

1994 Mark Rosenthal, “Critiques of Pure Abstraction,” Atelier Magazine (Sep 1994): cover, 68–69.

1994 Owen Drolet, “Peter Halley/Grand Salon,” Flash Art (Oct 1994): 95.

1994 Peter Halley, "Some notes on the Computer Landscape," Katalog, v.6, n.4 (June 1994): 26 - 28.

1994 Reba White Williams, "News of the Print World," The Print Collector's Newsletter, v.xxv, n.4 (Sep-Oct 1994): 140.

1994 “Statement,” in Peter Halley: Mono-Reliefs, exhibition catalogue (New York: Grand Salon, 1994).

1994 Peter Halley: Mono-Reliefs, exhibition catalogue (New York: Grand Salon, 1994).

1994 Neue Mobel Fur Die Villa: New Furniture for the Villa, Galerie Der Stadt Esslingen Am Neckar, 1994

1995 FIAC 3 - 9, Auction Catalogue, Paris, FR, Oct 1995 [Auction]: 204, 256.

1995 Charles A. Riley, Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology (Hanover, NH: University Press of New England, 1996), 193–195.

1995 New York Studio School, (Lecture Series Schedule Flyer), New York Fall 1995 [Fall Evening Lecture Seies 1995]

1995 Annegreth Nill, Peter Halley, exhibition catalogue, Dallas Museum of Art (Dallas, TX: DMA, 1995).

1995 Giacinto Di Pietrantonio, Fuori Uso '95, exhibition catalogue, Caravanserraglio Arte Contemporanea (Marche, Italy: Umberto Sala Editore, 1995), 71, 117.

1995 Images, Masks, and Models, 11, rue Larrey at Sidney Janis Gallery, New York (booklet)

1995 Laurie Thompson, Peter Halley: Drawings 1991 - 1995, exhibition catalogue, Greenberg Can Doren Gallery, New York.

1995 Peter Halley: Images, Masks, and Models (New York: Sidney Janis Gallery, 1995).

1995 “Untitled,” in Benetton Par Toscani, exhibition catalogue (Pully: FAE Musée d’art contemporain, 1995)

1995 Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue)

1995 Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue)

1995 It’s Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue)

1995 Mario Diacono, Painting at the End of Painting (For "Peter Halley"), exhibition catalogue, Mario Diacono Galler (Boston, MA: 1995).

1995 Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue)

1995 New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue)

1995 Out Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy

1995 Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue)

1995 Private Passions, Musée d’Art Moderne de la Ville de Paris, Paris (catalogue) [Passions Privees]

1995 Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue)

1995 "Galleries - Downtown: Peter Halley/Ettore Sottsass," The New Yorker, v.lxxi, n.19 (July 10, 1995): 15.

1995 "Views from Abroad… CD-Sized Art," New York Magazine, v.28, n.27 (July 10, 1995): 74.

1995 Benchmarks for the future, Deloitte Touche Tohmatsu International, 1995: 16.

1995 Charles Dee Mitchell, "Peter Halley at Turner, Byrne & Runyon," Art in America (July 1995): 90–91.

1995 David Riminelli, “Peter Halley at Sidney Janis Gallery,” The New Yorker, 4 Dec 1995, 20.

1995 Edition Schellmann, Art Editions, n.1 (1995), 119-120.

1995 Gini Alhadeff, "Major Barbara," Elle Décor, v.6, n.3 (Jun/Jul 1995), 180.

1995 Jeff Rian, “Peter Halley Makes a Move,” Flash Art (Oct 1995): 89–92,128.

1995 Miriam Mirolla, "Peter Halley," Vogue Italia, v.8, n.9 (Mar 1995): 364 - 369.

1995 Peter Halley, “Images, Masks & Models,” Tema Celeste, n. 53 (Sep 1995), 34 - 38.

1995 Robert Atkins, “The Art World & I Go On Line,” Art in America (Dec 1995): cover.

1995 Susan Kandel, "The Non-Site of Theory," Frieze, n. 22 (May 1995): 30.

1995 “Timothy Greenfield-Sanders,” in Timothy Greenfield-Sanders Selected Portraits 1985–1995, exhibition catalogue (Cologne, Germany: Kunst-Station Sanct Peter, 1996).

1996 David Seidner, The Face of Contemporary Art, (Munich: Gina Kehayoff Verlag, 1996), 24.

1996 The University of Buffalo Art Gallery Overview 1995 - 1996 (Buffalo: The artists and writers, 1996), 25-35

1996 Peter Halley: Drawings 1991 - 1995, The Frances Lehman Loeb Art Center, Vasser College, Pughkeepsie, NY, Jun 7 - Sep 8, 1996.

1996 Wolf-Dieter Dube, Hamburger Banhof Museum fur Gegenwart-Berlin (Muich, Germany: Prestel, 1996), 131.

1996 “Immigrant Song,” in Collaborations: Warhol, Basquiat, Clemente, exhibition catalogue, Fridericranium Museum, Kassel, and Museum Villa Stuck, Munich (Ostfildern, Germany: Hatje Cantz, 1996).

1996 Addison Gallery of American Art: 65 Years, Addison Gallery of American Art, Andover, MA (catalogue)

1996 Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, National Gallery, Alexander Soutzos Museum, Athens

1996 Innovation: American Art Today from the Misumi Art Collection, Kawamura Memorial Museum of Art, Sakura, Japan (catalogue)

1996 Marx Collection, Hamburger Bahnhof, Museum für Gegenwart, Berlin (catalogue)

1996 Michel Bourel, Minimal Art, exhibition catalogue, KOLDO MITXELENA Kulturunea (Gipuzkoa, Spain: Diputacion Foral de Gipuzkoa, 1996), 122, 178-181.

1996 Multiple Identities: Works from the Whitney Museum of American Art, Museu d'Art Contemporani, Barcelona (catalogue); travelled to Kunstmuseum Bonn, Germany; Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy

1996 Mythologies and Archetypes: Mirko, Afro, Halley, Cingolani, Fermariello, San Pietro in Afro, Italy (catalogue)

1996 New Abstraction, Museo Nacional Centro de Arte Reina Sofía, Madrid (catalogue); travelled to Museo de Arte Contemporáneo de Barcelona; Kunsthalle Bielefeld, Bielefeld, Germany

1996 Oku Noriyuki, A Boat of Diversity, exhibition catalogue, Tokyo International Forum Art Collection (Tokyo: The Tokyo Metropolitan Government, 1996), 38 - 39.

1996 Peter Halley, "Against Postmodernism: Reconsidering Ortega," printed in Alex Coles and Richard Bentley, de-, dis-, ex-. Volume one: Ex-cavating Modernism (London: Backless Books, 1996), 70 - 82.

1996 Peter Halley, "The Immigrant Song," printed in Tilman Osterworld, Collaborations: Warhol - Basquiat - Clemente, exhibition catalogue, Museum Fredericianum Kassel (Kassel, Germany: CANTZ, 1996), 77 - 80.

1996 Peter Halley, Timothy Greenfield-Sanders: Selected Portraits 1985-1995, exhibition catalogue, Kunst-Station Sankt Peter (Cologne, Germany: Heichlinger Drukerei, 1996), 1 - 2, 15.

1996 Picasso: A Contemporary Dialogue, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue)

1996 Tokyo International Forum Art Collection, Tokyo (catalogue)

1996 “Abstraction and the Linguistic Paradigm,” Tema Celeste, n. 58 (Sep 1996).

1996 “Artificial Pleasures: Peter Halley on Rem Koolhaas’ Eurolille,” Frieze n. 126 (Jan–Feb 1996).

1996 “Artificial Pleasures: Peter Halley on Rem Koolhaas’ Eurolille,” Frieze, (Jan–Feb 1996).

1996 Alexandra Lange, "Chic Simple," New York Magazine, v.29, n.12 (Mar 25, 1996), 70 - 77.

1996 Brooks, Adams, "The Abstract Century," Art in America, v. 84, n.7 (July 1996): 57-61.

1996 David Rimanelli, "The Art of the Interior," Elle Décor, (Oct/Nov 1996): 211.

1996 Demetrio Paparoni, "L'Astrazione Ridefinita," Tema Celeste, n.58 (Autumn 1996), 32-39.

1996 Hiromoto Nobuyuki, "Masterpieces of American Acrylics," Bijutsu Techo, v.48, n.730 (1996 Extra Edition): 91.

1996 Kay Larson, "What's Wrong with this Picture?," Art News, v.95, n.4 (April 1996): 110 - 111.

1996 New York Magazine - Design, March 1996

1996 Peter Halley, "Il Silenzio di Giaccio," Tema Celeste, n.58 (Autum 1996): 40 - 44.

1996 Peter Halley, "Portraits by Timothy Greenfield-Sanders '74," Columbia College Today, v.22, n.1 (Spring 1996): 24 - 27.

1996 Roland Flexner, "Fabric-Made Body," New Observations, n.110 (Jan/Feb 1996): 27.

1997 Peter Halley: Recent Essays, 1990–1996, edited by Richard Milazzo (New York: Edgewise Press, 1997).

1997 New Concepts in Printmaking 1: Peter Halley, The Museum of Modern Art, New York, NY (brochure)

1997 “Introduction,” in Chris Martin, exhibition catalogue (New York: Pierogi Gallery, 1997).

1997 “Franz Erhard Walther,” in Fort! Da! Cooperations, exhibition catalogue, (Ostfildern, Germany: Villa Merkel Galerie der Stadt Esslingen and Hatje Cantz, 1998).

1997 After the Fall, Snug Harbor Cultural Center, Staten Island, NY

1997 Demetrio Paparoni, Theory and its Double, exhibition catalogue (Brescia, Italy: Galleria Massimo Minini, 1997).

1997 Fort! Da!, Villa Merkel Galerie der Stadt Esslingen, Esslingen, Germany (catalogue)

1997 Growing the Collection of Peter Stuyvesant, Peter Stuyvesant Foundation, Amsterdam

1997 “Smithson's Crudity,” Art + Text, n. 56 (Feb–Apr 1997): 25–26.

1997 “The 80s and Jewishness,” New Art Examiner, v. 24, n. 9 (June 1997).

1997 “The Everyday Today,” in Architecture of the Everyday, edited by Steven Harris and Deborah Berke (Princeton, NJ: Princeton Architectural Press, 1997).

1997 Edith Newhall, “On View, The Halley Files,” New York Magazine, 29 Sep 1997.

1997 Kimmo Sarje, “New York Neurosis,” Siksi (Spring 1997): 76–79.

1997 Luciano Caramel, “Halley: The Anti-Idealist,” Quadri & Sculture, n. 24 (Feb–Mar 1997).

1997 Peter Halley, "Smithson's Crudity," Art/Text, n.56 (Feb-Apr 1997): 25-26.

1997 Renato Barilli, "Pannelli al fosforo," L'Espresso, v.xlii, n.6 (13 Feb 1997): 159.

1997 Robert Rosenblum, “Top Ten,” Artforum (Dec 1997): 84.

1997 Sabina Spada, “Peter Halley,” Tema Celeste (Spring 1997).

1997 Starr Figura, "A Project for MoMA Magazine: Peter Halley," Museum of Modern Art Magazine, (Fall 1997).

1997 Steven Shaviro, “New Concepts in Printmaking I: Peter Halley,” On Paper (Nov–Dec 1997): 42–43.

1998 "The Peter Halley Project", SUNY University at Buffalo Art Gallery, exhibition booklet, 1998

1998 Pop Abstraction, Pennsylvania Academy of Art, Philadelphia, PA (brochure)

1998 Arturo Schwarz, Peter Halley: Utopia’s Diagrams, exhibition catalogue, Tema Celeste Editions and Gabrius Multimedia, Milan.

1998 Midori Nishizawa, Peter Halley, Painting as Sociogram 1981 - 1997, exhibition catalogue, Kitayushu Municipal Museum of Art, Kitayushu, Japan.

1998 Arteries, Malmö Konsthall, Malmö, Sweden

1998 Cleveland Collects, The Cleveland Museum of Art, Cleveland, OH (catalogue)

1998 Maria de Corral, Anos 80 = The Eighties, exhibition catalogue (Lisbon, Portugal: Culturgest, 1998).

1998 “Artforum Top Ten,” Artforum (Summer 1998): 38.

1998 “Media for the Next Millennium.“ Hands on Paper, v. 1 n. 1 (1998):24 – 29.

1998 “Peter Halley at MoMA,” Tema Celeste (Jan–Mar 1998): 73.

1998 Midori Matsui, “Getting Out of the Cell: Peter Halley’s Thinking Geometry,” Bijutsu Techo, v. 50 n. 775 (May 1998): 97–108

1998 Nancy Princenthal, “Peter Halley at the Museum of Modern Art,” Art in America (May 1998): 121.

1998 Sigrid Nebelung, “In the Net of Lines and Cables,” Art Das Kunstmagazin (Dec 1998): 88–89.

1998 The Eighties, Culturgest, Lisbon

1999 "Interview with Peter Halley," in Scott Kilgour, Interspace (Glascow: Glascow School of Art), 1999.

1999 Elisabetta Catalano, Elisabetta Catalano (Rome: AZ Photocomp, 1999)

1999 "A Fusion of Architecture and Art," OBAYASHI in Shinigawa Intercity, 1999

1999 Demetrio Paparoni, Timothy Greenfield-Sanders (Milan: Alberico Cetti Serbelloni Editore, 1999), 190-192.

1999 Gerhard Finckh, Peter Halley: Bilder der 90er Jahre, exhibition catalogue, Museum Folkwang, Essen, Germany.

1999 Obayashi Corporation Public Relations Department, A Collaboration Between Architecture and Contempoary Art, exhibition catalogue, Obayashi Corporation, Tokyo, Japan.

1999 Peter Halley, exhibition catalogue, Waddington Galleries. (London, England: Waddington Galleries and Wayne Koestenbaum, 1999).

1999 Abstrakt, Galerie Thaddaeus Ropac, Salzburg, Austria

1999 Geometry as Form: Structures of Modern Art from Albers to Paik, Sammlung DaimlerChrysler Collection, Stuttgart; traveled to Neue Nationalgalerie, Berlin (catalogue)

1999 Post-Hypnotic, University Galleries, Illinois State University, Normal, IL; travelled to McKinney Avenue Contemporary, Dallas, TX; Contemporary Arts Center, Cincinnati, OH; Atlanta College of Art Gallery, Atlanta, GA; Chicago Cultural Center, Chicago; Southeastern Center for Contemporary Art, Winston-Salem, NC; Tweed Museum, University of Minnesota, Duluth, MN; Philharmonic Center for the Arts, Naples, FL

1999 The American Century, Whitney Museum of American Art, New York

1999 Wallworks, Paula Cooper Gallery, New York (catalogue)

1999 "Exhibition Highlight,” Wolgan Misool (Nov 1999): 156.

1999 “Pop Secret: Nickolaus Krushenick,” Artforum (May 1999): 68.

1999 Alfred MacAdam, “Peter Halley: Grant Selwyn Fine Art,” Artnews (Summer 1999): 153.

1999 Craig Garret, "Interview with Peter Halley,” art magazine (Nov 1999): 97.

1999 Daniel Birnbaum, "Peter Halley: Grant Selwyn Fine Art, New York,” Artforum (Sep 1999): 163.

1999 Demetrio Paparoni, "Peter Halley: Waddington Galleries, London; Grant Selwyn Fine Art, New York,” Tema Celeste (Aug–Sep 1999): 75–76.

1999 Gian Castelli, "Despues del Arte: Peter Halley," Arte y Parte, n. 24, (Dec 1999 - Jan 2000): 80-86.

1999 Jamie Lowe, "Limited-edition Walls," House and Garden, (Sep 1999): 80.

1999 Jeon Hye-Sook, "A Geometric Parody of Social Oppression," Monthly Art, Vo II, (Nov 1999): 156.

1999 Julia Lewis, "Wall to Wall," Interior Design, (Aug 1999): 154-159.

1999 Matthew Collings, “Higher Beings Command: Peter Halley,” Modern Painters (Summer 1999): 63.

1999 Noemi Smolik, “Peter Halley: Work as Structure,” Kunstforum International (May–June 1999): 305–311.

1999 Oliver Kalus, "Peter Halley," Kunstler Kritisches Lexikon der Gegenwartskunst (2nd Quarter 1999).

1999 Reinhard Ermen, “Peter Halley: ‘Bilder der 90er Jahre,’ Museum Folkwang, Essen,” Kunstforum International (Mar–Apr 1999): 353–354.

1999 Sarah Kent, "Waddington's,” Time Out London, 19 May 1999.

1999 Tai-gun Yun, “Peter Halley: Exhibition review,” ARTWORLD (Nov 1999): 181.

2000 Alfred Nemeczek, The Picture of Art (Hamburg, Germany: Verlag Gruner + Jahr, 2000).

2000 Matthew Collings, This is Modern Art (New York: Watson-Guptill Publications, 2000).

2000 Cory Reynolds, ed., Peter Halley: Maintain Speed (New York: Distributed Art Publishers, 2000).

2000 Gian Enzo Sperone, Torino Roma New York, (New York: Hopefulmonster, 2000) 466.

2000 American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue)

2000 Around 1984: A Look at Art in the Eighties, MoMA P.S.1, Long Island City, NY (catalogue)

2000 Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue)

2000 Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue)

2000 Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue)

2000 "Beat, Minimalism, New-Wave, and Robert Smithson," Documents Sur L'Art, (2000): 83-85.

2000 "Libri E Cataloghi," Tema Celeste, V.XVII, n. 78 (May-Apr 2000): 126.

2000 “A Utopian Moment, I Guess,” Surface Magazine, n. 23 (May 2000).

2000 Alicia Murria, “Peter Halley,” Lapiz, n. 161 (2000): 81.

2000 Andrea Affaticati, “Luxurious Editions,” Vogue Italia (Dec 2000): 78.

2000 Artforum, V.XXXVIII, n.6 (Feb 2000): 6, interior ad for Halley exhibition at Baldwin Gallery

2000 Barry Schwabsky, “Speed Reading,” i-D Magazine, v. 47, n. 4 (June 2000): 36.

2000 Demetrio Paparoni, "Buon Nuovo Secolo," Tema Celeste, V.XII, n. 77 (Jan-Feb 2000): 5 and Cover

2000 F. Carpio, “Vile Geometry,” La Razon, Madrid, 25 Feb 2000.

2000 Jane Harris, “Peter Halley: Maintain Speed,” Bookforum (Fall 2000): 19.

2000 Jose Jimenez, “Peter Halley: Geometría y crítica social,” El Mundo, Madrid, 12 Feb 2000, 16.

2000 Laura Mauk, “Horse’s Mouth,” Bookforum (Summer 2000): 9.

2000 Mariano Navarro, “Peter Halley,” El Mundo, Madrid, 27 Feb 2000.

2000 Mariuccia Casadio, “Into Gold,” Casa Vogue, Italian edition (Apr 2000): 172.

2000 Nancy Princenthal, “Artist’s Book Beat,” Art On Paper, v. 4, n. 6 (Jul–Aug 2000): 70–71.

2000 Peter Halley, "Suffix," Surface, n.23 (2000).

2000 Roberta Caratie Castiglia Masella, "Paparoni e la grande truffa della publicita," Tempo Economico, V. 37, n. 411 (Jan 2000): 12 - 13.

2000 Sabina Spada, “Halley’s World,” Arte (Dec 2000): 120–124.

2001 Playing Amongst the Ruins, Royal College of Art Galleries, London

2001 Jo Carole Lauder and Ann L. Gund, Gift to the Nation, (Washington, DC: Friends of Art and Preservation in Embassies, 2001), 219.

2001 “Fifteen Little Electric Chairs,” in Andy Warhol: Little Electric Chair Paintings, exhibition catalogue (New York: Stellan Holm Gallery, 2001).

2001 Elisabeth Rackham, Peter Halley: Paintings, exhibition catalogue, Waddington Galleries, London.

2001 Bonnie Clearwater, Mythic Proportions: Painting in the 1980s, exhibition catalogue (North Miami, FL: Museum of Contemporary Art, 2001).

2001 Digital Printmaking Now, Brooklyn Museum of Art, New York (catalogue)

2001 Green on Greene, Sperone Westwater, New York (catalogue)

2001 Sheila Schwartz, American Visionaries: Selections from the Whitney Museum of American Art, exhibition catalogue (New York: Whitney Museum of American Art, 2001), 127.

2001 The Lenore and Burton Gold Collection of 20th-Century Art, High Museum of Art, Atlanta, GA (catalogue)

2001 The Onnasch Collection: Aspects of Contemporary Art, Museu d'Art Contemporani de Barcelona, Barcelona (catalogue)

2001 Tilman Baumgartel, NET.Art 2.0: New Materials Towards Net Art (Nuremburg, Germany: Verlag für Moderne Kunst, 2001).

2001 Akio Nagasawa, “Peter Halley,” Esquire Japan (Jan 2001): 39.

2001 Gean Moreno, “Mythic Proportions,” Flash Art (May–June 2001): 146–147.

2001 Kara Weg Vander, “What is Pop Art?” GQ (Sep 2001): 360.

2001 Mariuccia di Casadio, “Art Working,” Casa Vogue, Italian edition (Apr 2001).

2001 Mariuccia di Casadio, “Superfluous,” Vogue Italia (June 2001): 185.

2001 “September 25, 2001,” in Peter Halley: Paintings, exhibition catalogue (London: Waddington Galleries, 2001).

2002 Peter Halley: Contamination, Alberico Cetti Serbelloni Editore, Milan

2002 No Object, No Subject, No Matter..., Irish Museum of Modern Art, Dublin, Ireland (booklet)

2002 “Alex Katz’s New Work,” in Alex Katz Beachscenes and Landscapes, exhibition catalogue (Paris: Galerie Thaddaeus Ropac, 2002).

2002 Gerard Malanga, Andy Warhol: Little Electric Chair Paintings, Stellan Holm Gallery

2002 Adam D. Weinberg, Treasures of the Addison Gallery of American Art (New York: Abbeville Press, 2002), 251.

2002 Demetrio Paparoni, “Art, Space, and its Repetition,” Lucio Fontana, exhibition catalogue, Galleria In Arco (Turin: Galleria in Arco, 2002).

2002 Good News, Galleria Cardi, Milan (catalogue)

2002 Midori Matsui, Art: Art in a New World (Tokyo: Asahishuppansha, 2002).

2002 Misumi Shōji, Nobuyuki Hiromoto, et al, We love painting!: Contemporary American Art from the Misumi Collection, exhibition catalogue (Tokyo: Misumi, 2002).

2002 Public Affairs, Kunsthaus Zürich, Zurich (catalogue)

2002 The Big Chill, Galleria in Arco, Turin, Italy

2002 “Shock of the Old,” Artforum, (Summer 2002): 163.

2002 Jaume Vidal Oliveras, “The Labyrinth of Peter Halley,” El Cultural (Sep 2002): 32.

2002 Melinda Rose Silva, “Peter Halley’s Mini Adventure,” Contemporary (Sep 2002): 60–61.

2002 Richard Tuttle, “Cosmic Relief,” Artforum (Feb 2002): 116–121.

2002 Robert Rosenblum, “Best of 2002,” Artforum (Dec 2002): 114.

2002 Roberta Smith, “A Profusion of Painting, Very Much Alive,” The New York Times, 10 May 2002, E33–34.

2002 Roberta Smith, “Peter Halley: Mary Boone Gallery,” The New York Times, 10 May 2002, E30.

2002 Roger Boyce, “Lock-Ups and Aftershocks,” Art in America (Nov 2002): 128–129.

2002 Stephanie Cash and David Ebony, “Artworld,” Art in America (June 2002): 144.

2003 “Franz Erhard Walther—Work Needs the Body: A Strong Misreading,” reprinted from 1998, in Franz Erhard Walther: Orte der Enstehung—Orte der Wirkung, exhibition catalogue (Fulda, Germany: Vonderau Museum, 2003).

2003 Alison Pearlman, Unpackaging Art of the 1980s (Chicago: University of Chicago Press, 2003).

2003 Conversations: Influence and Collaboration in Contemporary Art, Evergreen House, Johns Hopkins University, Baltimore, MD (catalogue)

2003 David Joselit, American Art Since 1945 (New York: Thames and Hudson, 2003), 200–202.

2003 40th Anniversary: The 1980s, Art Forum Magazine, March 2003, Part 1

2003 40th Anniversary: The 1980s, Art Forum Magazine, March 2003, Part 2

2003 Craig Garret, “Coerced Confessions,” Flash Art (Nov–Dec 2003): 72–75.

2003 Craig Garret, “The Industrial Art: Peter Halley, Bill Charles, and Neville Wakefield Discuss the Multiple Trajectories of Contemporary Photography,” Flash Art (Nov–Dec 2003): 57–59.

2003 Dan Cameron, “80’s Then: Peter Halley Talks with Dan Cameron,” Artforum (Mar 2003): 212–213.

2003 Matilde Battistini, “The Red One Here is George W. Bush,” il Diario, Milan, 14 Mar 2003, 58–61.

2003 Yayoi Kojima, “A Flag Bearer of American Abstract Painting is Still Going Strong,” Esquire Japan (Mar 2003): 192.

2003 Yutaka Fukuda, “A Brilliant Collection of Contemporary Art from the U.S.,” Diamond, Tokyo, 1 Feb 2003, 110–111.

2003 Luca Beatrice, Peter Halley, exhibition catalogue, Galleria Cardi & Co., Milan.

2004 Dan Cameron, Liza Kirwin, Alan W. Moore, East Village USA, exhibition catalogue (New York: New Museum of Contemporary Art, 2004), 143.

2004 East Village USA, New Museum, New York (catalogue)

2004 Jeffrey Deitch, ed., Monument to Now: The Dakis Joannou Collection, exhibition catalogue (Athens: DESTE Foundation for Contemporary Art, 2004).

2004 Judith Richards, ed., Inside the Studio: Two Decades of Talks with Artists in New York (New York: Independent Curators International, 2004), 30–33.

2004 Mary Anne Redding, Visions of America: American Art and Identity, exhibition catalogue (Vienna: Sammlung Essl Museum, 2004), 141, 255.

2004 Starr Figura, Artists and Prints: Masterworks from the Museum of Modern Art (New York: The Museum of Modern Art, 2004).

2004 Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York, Sammlung Essl – Kunst der Gegenwart, Vienna (installation, catalogue)

2004 “Fashion Victims,” Artforum, (May 2004): 197–199.

2004 David Rimanelli, “High Art,” House and Garden (June 2004): 104–109.

2004 Eric Troncy, “A Comet From the Eighties,” Numéro (Mar 2004): 318–321.

2005 Contemporary Voice: The Contemporary American Art from Misumi Collection, Tottori Prefectural Museum, Japan (catalogue)

2005 Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, New York (catalogue)

2005 Francesca Richer and Matthew Rozenzweig, eds., No. 1: First Works by 362 Artists (New York: Distributed Art Publishers, 2005), 143.

2005 Johannes Meinhardt, ed. Painting: Abstraction after Abstraction (Lisbon, Portugal: Colecao de Arte Contemporanea Publico, 2005), 103, 132 - 133.

2005 Logical Conclusions: 40 Years of Rule-Based Art, Pace Wildenstein, New York (catalogue)

2005 Louis Grachos and Claire Schneider, Extreme Abstraction, exhibition catalogue (Buffalo, NY: Albright-Knox Art Gallery, 2005).

2005 Marc Glimcher, Bernice Rose, et al, Logical Conclusions: 40 Years of Rule-Based Art, exhibition catalogue (New York: Pace Wildenstein, 2005), 112–113.

2005 Nobyuki Hiromoto and Azumi Akai, eds., Contemporary Voice: The Contemporary Art from Misumi Collection (Tottori, Japan: Tottori Prefectural Museum and Japan Association of Art Museums, 2005), 48–49.

2005 The Shape of Colour: Excursions in Colour Field Art 1950–2005, Art Gallery of Ontario, Toronto (catalogue)

2005 We Can Do It!, Gary Tatinsian Gallery, Moscow (catalogue)

2005 Avgostinos Zenakos, "Color in Our Lives," Vimagazino in Vima, Athens, 27 Mar 2005, 20–21

2005 David Hay, "Halston's Old House," New York, NY, 10 October 2005, 79.

2005 Natasa Gianousi, "The Geometric Abstraction of Halley," Ethnos, Athens, 17 Apr 2005, 16–17.

2005 Phivos Sakalis, "Geometries of Thought & Feeling," Gyneka, Athens, Apr 2005, 142–49.

2005 Richard Lacayo, “How Does 80’s Art Look Now?” Time Magazine, 28 Mar 2005, 58–62.

2005 Spencer Michlin, “The Art of Flying,” American Way, Fort Worth, TX, 15 July 2005, 32.

2005 Emmanuel Mavrommatis, Peter Halley, 1995–2005, exhibition catalogue, Galeri Xippas, Athens.

2005 Peter Halley, exhibition catalogue, CAIS Gallery, Seoul.

2005 Robert Hobbs, Peter Halley: Present and Past, exhibition catalogue, Louisiana Art and Science Museum, Baton Rouge, LA.

2006 30 Years of New Graphics, Firehouse Gallery, Burlington, VT (catalogue)

2006 Idea of Painting – Homage to Martin Barré, exhibition catalogue (Paris: Galerie Nathalie Obadia, 2006), 32–33.

2006 Jo-Anne Birnie Danziger, ed., Villa Stuck (Ostfildern, Germany: Hatje Cantz Verlag, 2006), 366.

2006 Mark A. Cheetham, Abstract Art Against Autonomy: Infection, Resistance, and Cure Since the 60s (New York: Cambridge University Press, 2006)

2006 Pop Art 1960s–2000s: From Lichtenstein, Warhol to the Current Generation, exhibition catalogue (Tokyo: Yomiuri Shimbun and Japan Association of Art Museums, 2006), 46–47.

2006 Ruth Erickson, ed., 30 Years of New Graphics From The Jewish Museum, exhibition catalogue, Firehouse Gallery and Burlington City Arts (Burlington, VT: Burlington City Arts, 2006), 50–51.

2006 “Powerhouse,” V Magazine (Sep 2006): 71.

2006 Grant, Daniel, “Halley’s Constellations,” ARTnews (Apr 2006): 102.

2006 Takashi Hata, “Using ‘Squares’ and ‘Lines:’ He Vividly Draws Today’s Social Situation,” Pen Magazine (Jan–Feb 2006): 56.

2006 Yahsi Baraz, “Peter Halley ve Türk Koleksiyoncular: Peter Halley and the Turkish Collectors,” rh+san art (June 2006): 61–63.

2007 Peter Halley, exhibition catalogue, Waddington Galleries, London.

2007 27th Biennial of Graphic Arts, exhibition catalogue, International Centre of Graphic Arts (Ljubljana: Mednarodni grafični likovni center, 2007), 168–171.

2007 27th Biennial of Graphic Arts, International Centre of Graphic Arts (MGLC), Ljubljana, Slovenia

2007 Ali Gureli, Contemporary Istanbul, catalogue (Istanbul: Contemporary Istanbul Art Fair, 2007).

2007 Christophe Cherix and John Tremblay, Plastic: A Proposal of John Tremblay, exhibition catalogue, Musée d’Art et d’Histoire (Geneva: Cabinet des Estampes, 2007), 6, 8–11.

2007 Create Your Own Museum, exhibition catalogue (Moscow: Gary Tatintsian Gallery, 2007), 91–94.

2007 Create Your Own Museum, Gary Tatintsian Gallery, Moscow (catalogue)

2007 Jeane Freifrau Von Oppenheim, ed., Sal. Oppenheim: 10 Years Collection (Luxembourg: Sal. Oppenheim Jr. & Cie. Luxembourg S.A., 2007), 226.

2007 Joe Houston and Dave Hickey, Optic Nerve: Perceptual Art of the 1960s, exhibition catalogue, Columbus Museum of Art (London: Merrell Publishers, 2007).

2007 Masterpieces, CAPC Musée d'Art contemporain de Bordeaux (Bordeaux, France: CAPC Musée d'art Contemporain de Bordeaux, 2007), 144–145.

2007 Passion for Art: 35 Years of the Essl Collection, Kunst der Gegenwart Essl Museum and Schömer Haus, Klosterneuburg, Austria (catalogue)

2007 Passion for Art: 35th Anniversary of the Essl Museum Collection, exhibition catalogue (Vienna: Edition Sammlung Essl, 2007), 201.

2007 PLASTIC: A Proposal by John Tremblay, Cabinet des Estampes, Geneva (catalogue)

2007 Pop Art, 1960s–2000s: From Lichtenstein, Warhol to the Current Generation, Seiji Togo Memorial Sompo Japan Museum of Art, Tokyo (catalogue); travelled to Hiroshima City Museum of Contemporary Art, Hiroshima

2007 Rebecca Roberts, MoMA: Highlights since 1980 (New York: The Museum of Modern Art, 2007), 152.

2007 Renate Wiehager and Claudia Seidel, Minimalism and After: Tradition and Tendencies of Minimalism from 1950 to the Present, exhibition catalogue (Ostfildern, Germany: Hatje Cantz Verlag, 2007), 289–290.

2007 Susanna Luoto, ed., Galerie Forsblom: Since 1977 (Helskinki: Galerie Forsblom, 2007), 5, 81, 142–143.

2007 Twenty Years With Friends (A. V.), Galleria in Arco, Turin, Italy

2007 Vent'anni con gli amici: 1987-2007, exhibition catalogue (Turin: Galleria in Arco, 2007).

2007 Güseli Inal, “Asit Renkler – Yeni Geometri: Peter Halley,” Artist Actual (Sep 2007): 42–44.

2007 Madhu Puri, “ Block Party,” Interview (Oct 2007): 128.

2007 Sven Lütticken, “Black Bloc, White Penguin: Reconsidering Representation Critique,” Artforum (Mar 2007): 299–303.

2007 Peter Halley: Paintings, exhibition catalogue, McClain Gallery, Houston, TX.

2008 Peter Halley: Wall Relief, Banco, 2008

2008 Art Editions 6, 2008, inventory catalogue, (Munich: Edition Schellmann, 2008), np, ill.

2008 Abstract Vision, Thomas Ammann Fine Art, Zurich (catalogue)

2008 Georg Frei, Abstract Vision, exhibition catalogue (Zurich: Thomas Ammann Fine Art AG, 2008), 16–17.

2008 Gianni Mercurio, The Big Bang, exhibition catalogue (Rome: Museo Carlo Bilotti, 2008), 72–83.

2008 Ruth Fine, Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection, exhibition catalogue (Washington D.C.: The National Gallery of Art, 2008), 188.

2008 The Big Bang, Museo Carlo Bilotti, Rome (catalogue)

2008 Giancarlo Politi, “Peter Halley At the End of History,” Flash Art (Jul–Sep 2008): 164–167.

2008 Peter Nagy, “From Criticism to Complicity,” Flash Art International, v. 41 (Jul–Sep 2008): 152–155.

2008 Peter Vogel, “Peter Halley: ein Künstler und seine Stadt,” Parnass Kunst Magazine (2008): 78–85.

2008 Demetrio Paparoni, Peter Halley: Works for Projects, exhibition catalogue, Galleria In Arco, Turin, Italy.

2008 Wayne Koestenbaum and Luca M. Yenturi, Peter Halley, exhibition catalogue, Banca BSI Italia, Turin, Italy.

2009 Charlotte Bonham-Carter and David Hodge, The Contemporary Art Book (London: Carlton Books, 2009), 97.

2009 Gallatin 2009, (New York: Gallatin School, 2009).

2009 Paul Ardenne, The Present: The Work of Art at the Turn of the 21st Century (Paris: Edition Du Regard, 2009), 168.

2009 Christian Rattemeyer, The Judith Rothschild Foundation Contemporary Drawings Collection, catalogue raisonné (New York: The Museum of Modern Art, 2009), 138.

2009 Peter Halley, exhibition catalogue, Galerie Alain Noirhomme, Brussels

2009 Fuentes, Galerie Thaddaeus Ropac, Salzburg, Austria

2009 H x W x D: Thirty Years of MFA at UNO, University of New Orleans St. Claude Gallery, New Orleans, LA (catalogue)

2009 Images and Representations: The Eighties Second Part, MAGASIN Centre National d’Art Contemporain de Grenoble, France (catalogue)

2009 Karlyn De Jongh, Personal Structures: Time Space Existence (Cologne, Germany: DuMont Buchverlag, 2009), 276–281.

2009 Katherine Hinds, Kertess Klaus, Martin Margulies and Peter Plagens, The Martin Z. Margulies Collection: Painting and Sculpture (Miami, FL: The Martin Z. Margulies Foundation, 2009).

2009 Luois Negre and Sean J. Rose, When the First Intoxication of Loud Success…, exhibition catalogue (Bordeaux, France: CAPC Museum of Contemporary Art, 2009), 27.

2009 Marco Meneguzzo, The 80’s: An Italian Perspective, exhibition catalogue (Milan: Silvana Editoriale, 2009), 188–189.

2009 Quand la première ivresse des succès bruyants…, CAPC Musée d'art Contemporain, Bordeaux, France (catalogue)

2009 Yves Aupetitallot, Images and (Re)presentations: The Eighties, Second Part, exhibition catalogue, Le Magasin (Grenoble, France: National Center of Contemporary Art, 2009).

2009 Amaya De Toledo, “Entra la Luz,” Architectural Digest, Spanish edition, n. 37 (June 2009): cover, 1.

2009 Elizabeth Schambelan, “Peter Halley: Mary Boone Gallery,” Artforum (Dec 2009): 228–229.

2009 Laura Schleussner, “Peter Halley: El Sourdog Hex, Berlin,” Flash Art (Jul–Sep 2009): 100.

2009 Maria Gerosa, “Nuove esperienze,” Architectural Digest (Italian edition), n. 333 (Feb 2009): cover, 1, 114.

2010 Il bagno penale, by Jean Genet (Brescia, Edizioni l'Obliquo)

2010 Global New Art: Taguchi Art Collection #01 (Tokyo: Bijutsu Shuppan-Sha Co., 2010), 47–48.

2010 Schauwerk Sindelfingen: 100 artists—100 works—100 positions, collection catalogue (Cologne, Germany: DuMont Buchverlag; the Schaufler Foundation, 2010), 58–59.

2010 David Rubin, Robert C. Morgan, and Daniel Pinchbeck, Psychedelic: Optical and Visionary Art since the 1960s, exhibition catalogue (San Antonio; Boston: San Antonio Museum of Art; MIT Press, 2010), 25, 45, 74.

2010 Elyssa Dimant, Minimalism and Fashion: Reduction in the Postmodern Era (New York: Collins Design, 2010), 204–206.

2010 Global Art Show, The Columns, Seoul

2010 Jorg Schellmann and Julienne Lorz, Forty Are Better Than One (Ostfildern, Germany: Hatje Cantz, 2010), 132–133, 378, 401.

2010 Mario Diacono, Iconograhy and Archteypes (Milan: Silvana Editoriale, 2010),n.p., cover

2010 Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA

2010 Reinhard Onnasch, Susanne Lenze, and Susanne Jensen, El Sourdog Hex: Nineteen Artists, exhibition catalogue (Bielefeld, Germany: Kerber Verlag, 2010), 160–171.

2010 The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue)

2010 “Contemporary Istanbul,” RH+artmagazine (Jan 2010): 43, 45.

2010 “Proof is in the Pink,” Time Out New York, 25 Feb 2010, 45, 46.

2010 Aleksandra Novozhenova, “I Felt that My Prints Were Almost a Premonition of September 11th,” Artchronika (Oct 2010): 54–59.

2010 Graham Fuller, “BZ & Michael Schwartz, Art as Family: 80s, 17 December 2010," auction catalogue, Phillips De Pury, New York, 17 Dec 2010, 34, 37.

2010 Karlyn De Jongh, “Interconnection and Isolation: Peter Halley in an Interview With Karlyn De Jongh – Part 1,” Dart International, n. 27 (Fall 2010): 32–34.

2010 Michael Wilson, “Peter Halley,” Time Out New York, 4 Mar 2010, 36.

2010 Nicola Trezzi, “Peter Halley: Mary Boone, New York,” Flash Art (May–June 2010): 113.

2010 Oleg Frolov, “Interview: Peter Halley,” Populist, n. 1 (Dec 2010): 2–6.

2010 Stephen Maine, “Peter Halley: Mary Boone,” Art in America (Jun–July 2010): 182–183.

2011 Bob Nickas: Catalog of the Exhibition 1984-2011 (Los Angeles: 2nd Cannons Publications, 2011)

2011 Peter Halley, Galerie Thomas Modern, 2011

2011 Consuelo Ciscar Casaban and Francisco Calvo Serraller, Obras Maestras de Pintura en la Colección del IVAM. Pasado, Presente y Futuro, exhibition catalogue, Institut Valencià d’Art Moderne (Valencia, Spain: IVAM, 2011), 160–261.

2011 George Melrod and Christopher Miles, Goldmine: Contemporary Works From The Collection Of Sirje And Michael Gold, exhibition catalogue (Long Beach, CA: University Art Museum, 2011), 69.

2011 Gianni Mercurio, Surreal versus Surrealism in Contemporary Art, exhibition catalogue, Institut Valencià d’Art Moderne (Valencia, Spain: IVAM, 2011), 45, 141.

2011 Karlyn De Jongh and Sarah Gold, Personal Structures, La Biennale di Venezia, exhibition catalogue (Bonn, Germany: Global Art Affairs Foundation, 2011), 42–47.

2011 Ken Johnson, Are You Experienced? (Munich; London; New York: Prestel Publishing, 2011), 154.

2011 Mark Vanmoerkerke, Collection Vanmoerkerke (Brussels: Rispoli Books, 2011).

2011 The Indiscipline of Painting, Tate St. Ives, Cornwall, UK; travelled to Mead Gallery, Warwick Arts Centre, UK

2011 “Franz Erhard Walther: Close Encounters of Three Kinds,” Flash Art, n. 276 (Jan 2011).

2011 Fabriano Fabbri, “Fatal Abstraction,” Book Moda, n. 111 (2011): cover, 42.

2011 Güseli Inal, ''Contemporary Istanbul,” Yapi (Jan 2011): 162, 350.

2011 Joanna Rojkowska, “Dekonstrukcja Geometrii: Dekonstrukcja Światła,” artluk (Feb 2011): 49.

2011 PMLA: Publications of the Modern Language Association of America, n. 2 (Mar 2011): cover, 304.

2012 “A Conversation with Kehinde Wiley and Peter Halley,” in Kehinde Wiley, edited by Thelma Golden, Robert Hobbs, Sarah H. Lewis, et al. (New York: Rizzoli, 2012).

2012 Cellblock I & II, Andrea Rosen Gallery, New York (curated by Robert Hobbs, catalogue)

2012 Conceptual Abstraction, Hunter College Art Galleries, New York (catalogue)

2012 Helen Anne Molesworth, Johanna Burton, and Claire Grace, This Will Have Been: Art, Love & Politics in the 1980s, exhibition catalogue (Chicago: Museum of Contemporary Art Chicago, 2012).

2012 James Rondeau and Sheena Wagstaff, Roy Lichtenstein: A Retrospective, exhibition catalogue (Chicago: Art Institute of Chicago, 2012), 81–82, 87.

2012 Jeffrey Kastner, ed., Nature: Documents of Contemporary Art (Cambridge, MA: MIT Press, 2012).

2012 Joe Houston, ed., Abstracción geométrica desde 1950: Intercambio Global (Buenos Aires: MACBA Ediciones, 2012), 69, 188–189.

2012 Jorge Daniel Veneciano, The Geometric Unconscious: A Century of Abstraction (Lincoln, NE; London: University of Nebraska Press, 2012), 56–71.

2012 Louis Grachos and Claire Schneider, Extreme Abstraction: Revisited, exhibition catalogue (Buffalo, NY: Albright-Knox Gallery, 2012), 69.

2012 ReFocus: Art of the 1980s, Museum of Contemporary Art, Jacksonville, FL

2012 Timothée Chaillou, ed., Issue 5: Annual Magazine (Nicosia, Cyprus: A.P.C. Trading Ltd, 2012).

2012 “Nature and Culture,” reprint of 1983 essay, in Nature: Documents of Contemporary Art, edited by Jeffrey Kastner (Cambridge, MA: MIT Press, 2012).

2012 “Sensibility of the Times, Revisited: Peter Halley,” Art in America (Dec 2012): 164–5.

2012 Guillaume Durand, “Le musée des contradictions,” L’Officiel Art, Jun–Aug 2012.

2012 Olivier Reneau, “Une Petite Histoire de Magazines,” L’Officiel Art, Apr–June 2012.

2012 Richard Speer, “Peter Halley: Prison,” Willamette Week, www.wweek.com, 20 Jan 2012.

2012 The Journal, magazine, no. 32

2013 “Abstraction and Culture,” reprint of 1991 essay, in Abstraction, Whitechapel: Documents of Contemporary Art series, edited by Maria Lind (Cambridge, MA: MIT Press, 2013).

2013 Peter Halley: Selected Essays, 1981–2001, edited by Richard Milazzo (New York: Edgewise Press, 2013).

2013 Giancarlo Politi, Prague Biennale 6 Prague Biennale Photo 3, exhibition catalogue (Milan: Giancarlo Politi Editore, 2013), 50–51.

2013 Giovanni Iovane, Negative Capability—Paintings (Milan: Silvana Editoriale, 2013).

2013 Hélène Trespeuch, La crise de l’art abstrait ? Récits et critique en France et aux Etats-Unis dans les années 1980 (Rennes, France: Presses Universitaires de Rennes, 2013).

2013 Heute Malerei, exhibition catalogue, Kunstmuseum Kloster Unser Lieben Frauen Magdeburg (Berlin: Jovis Verlag, 2013), 54–65.

2013 Ingvild Goetz, Karsten Löckemann, et al, When Now is Minimal, Die unbekannte Seite der Sammlung Goetz, exhibition catalogue, Neues Museum, Nuremberg, Germany (Ostfildern, Germany: Hatje Cantz Verlag, 2013).

2013 Joe Day, ed., Corrections & Collections: Architectures for Art and Crime (New York: Routledge, 2013), 19–22.

2013 Karlyn De Jongh, Sarah Gold, et al, Personal Structures: Time Space Existence (Cologne, Germany: Global Art Affairs Foundation, 2013), 178–181.

2013 Lea Rosson DeLong, ed.,Des Moines Art Center Collects (Des Moines, IA: Des Moines Art Center, 2013).

2013 Maria Lind, ed., Abstraction: Documents of Contemporary Art (London; Cambridge: Whitechapel Gallery; The MIT Press, 2013), 17–18, 54, 137–143, 146, 149.

2013 Negative Capability, group exhibition (Carla Accardi, Pier Paolo Calzolari, Anetta Mona Chisa & Lucia Tkáčová, Peter Halley, Reinhard Mucha, Giulio Paolin), Galleria d’Arte Astuni, Bologna, Italy

2013 Richard Speer, Peter Halley, Alessandro Mendini, exhibition catalogue, Mary Boone Gallery, New York.

2013 Sarah Trigg, Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process (New York: Princeton Architectural Press, 2013), 183.

2013 Siegfried Weishaupt, American Idols: Von Basquiat bis Warhol, n. 8, exhibition catalogue (Ulm, Germany: Kunsthalle Weishaupt, 2013).

2013 The Bigger Picture, The Artist’s Institute, New York (curated by Haim Steinbach)

2013 Wall Works, Hamburger Bahnhof Museum für Gegenwart, Berlin

2013 “Wild Style,” Modern Painters (June 2013): 15.

2013 Art in America, 2013

2013 Ian Graves, “El célebre artista Peter Halley exhibe obras en Costa Rica,” La Nación, San José, 31 Mar 2013, 3.

2013 Kelly Crow, “A Geometry Guru Stays True to Form,” The Wall Street Journal, New York, 13–14 Apr 2013, C20.

2013 Scott Indrisek, “Studio Check: Peter Halley,” Modern Painters (June 2013): 42–43.

2013 Umberta Genta, “ Prague Biennale: Interview With Director Helena Kontova,” Flash Art, n. 291, Vol. 46, (Jul–Aug–Sep 2013): 57–58.

2013 JoAnn Melvin, Peter Halley: Paintings 2012–2013, exhibition catalogue, Waddington Custot Galleries, London.

2013 Klaus Steinmetz and Paolo Emilio Antognoli, Peter Halley: Recent Works, exhibition catalogue, Steinmetz Contemporary Art Gallery, San Jose, Costa Rica.

2014 Jo Melvin, Peter Halley Since 2000, exhibition catalogue, Musée d’Art Moderne Saint-Etienne Métropole and Maruani & Noirhomme Gallery, Saint-Priest-en-Jarez, France and Brussels, Belgium.

2014 30 Years, Foundation Cartier pour l’art contemporain, Paris (collaboration with Alessandro Mendini)

2014 Amy Brandt, Interplay: Neoconceptual Art of the 1980s (Cambridge: MIT Press, 2014), 1–5, 7–8, 12–14, 18–22, 28, 30–33, 36, 145–146, 151, 153–161.

2014 Brandon K. Ruud and Gregory Nosan, eds., Painting from the Collection of the Sheldon Museum of Art, (Lincoln and London: University of Nebraska Press, 2014), 228–229.

2014 Cellblock I and Cellblock II, exhibition catalogue (New York: Andrea Rosen Gallery, 2014), 20, 23, 24, 29, 41, 48–49, 50, 66–67.

2014 Emma Dexter, Mark Prince, Pierre-Olivier Rollin, et.al., Man in the Mirror, exhibition catalogue, Vanhaerents Art Collection, Brussels (Tielt, Belgium: Lannoo Publishing. 2014), 68, 102–104, 111.

2014 Juan Roselione-Valadez, ed., Rubell Family Collection Highlights & Artists’ Writings, Volume 1 (Miami: Rubell Family Collection/Contemporary Arts Foundation, 2014), 120–121.

2014 Kata Bodor, David Fehér, Katrin Heidt, et. al., Konstruktív/Konkrét: Nemzetközi Művészet A Vass-Gyűjteményben, exhibition catalogue (Budapest: ART V. PREMIER, 2014), 150–153.

2014 Mario von Lüttichau, Asja Kaspers and Marcel Schumacher, eds., Museum Folkwang: Malerei & Skulptur 19.–21. Jahrhundert (Essen; Münich: Museum Folkwang; Sieveking Verlag, 2014), 281, 294.

2014 Post Pop: East Meets West, Saatchi Gallery, London

2014 -----, “Broad Stripes and Bright Stars: New Artworks Inspired by the National Icon,” Smithsonian, (June 2014): 48–49.

2014 Alexander R. Galloway, “What Can a Network Do?,” SPIKE (Spring 2014): 64–71.

2014 Elio Cappuccio & Demetrio Paparoni, “La Concreción de lo Abstracto,” ARTE AL LIMITE, n. 64 (Feb 2014): 100–105.

2014 Juan Bolivar, “Peter Halley in Conversation with Juan Bolivar for Turps Banana,” TURPS Banana Magazine, Issue 14 (Spring 2014): 4–13.

2014 Pariss Sloan, “Pleasure and Alienation,” Tirade Magazine (Apr 2014): 10–20.

2014 Rafael de Cárdenas, “The Way You Always Wanted to See’em,” Flash Art, v. 47, n. 295 (Mar–Apr 2014): 50–57.

2014 “Peter Halley in Conversation with Wolfgang Tillmans,” in Wolfgang Tillmans, 2nd edition (London: Phaidon Press Ltd., 2014).

2014 Martin S. Fischer, Barbara Happe, Steffen Siegel, et al., Peter Halley—Prisons, exhibition catalogue, Friedrich-Schiller-Universität, Jena, Germany.

2014 Peter Halley, exhibition catalogue, Galerie Forsblom, Helsinki.

2015 Benjamin Colman, Peter Halley: Big Paintings, exhibition catalogue, Florence Griswold Museum, Old Lyme, CT.

2015 Peter Halley, Gold, exhibition catalogue, Gary Tatintsian Gallery, Moscow

2015 12 New Yorkers, JMM Gallery, Brussels

2015 Barbara Bergmann, I like America, exhibition catalogue, Schauwerk Sindelfingen (New York; Bielefeld, Germany: DAP; Kerber, 2015), 57, 137.

2015 Enrique Juncosa, Tres Narrativas. Lenguaje, exhibition catalogue (Barcelona: Obra Social "la Caixa," 2015), 28–29.

2015 Geometric Obsession: American School 1965–2015 (Buenos Aires: Museo de Arte Contemporáneo de Buenos Aires, 2015), 169, 217.

2015 Iwona Blazwick, ed., Adventures of the Black Square: Abstract Art and Society 1915–2015, exhibition catalogue, Whitechapel Gallery, London (London; Munich: Whitechapel Gallery; Prestel Verlag, 2015), 41, 270, 279.

2015 Richard Milazzo, The Mannequin of History: Art After Fabrications of Critique and Culture, exhibition catalogue, Expo 2015, (Modena, Italy: Franco Cosimo Panini, 2015), 185–187.

2015 "Big Halley," Connecticut Magazine, February: 24.

2015 Cristina Guadalupe Galván, “Colour Surfacing, Peter Halley’s 2D World,” DAMN Magazine, no. 51 (Jul–Aug 2015): 64–67.

2015 Kristin Nord, “Peter Halley: Big Paintings, Size Matters,” Artscope, v. 9 n. 6 (Jan–Feb 2015): 15–17.

2015 Питер Хелли, золото, каталог выставки, Гари Татинцяна Галерея, Москва.

2016 Francesca Avanzini, La Presenza di Peter Halley in Italia (1987 - 2016), dissertation (Milan: Universita Cattolica del Sacro Cuore Di Milano, 2016).

2016 Anne Faucheret and David Jourdan, The Promise of Total Automation, exhibition catalogue, Kunsthalle Wien, Italy

2016 Geometry of the Absurd: Recent Paintings by Peter Halley, exhibition catalogue, Santa Barbara Museum of Art, Santa Barbara, CA.

2016 Max Hollein, The Schirn Ring: Peter Halley, exhibition catalogue, Schirn Kunsthalle Frankfurt, Germany.

2016 Peter Halley: Metallic Paintings, exhibition catalogue, Jablonka Maruani Mercier Gallery, Knokke, Belgium.

2016 Richard Milazzo, Skewed: Ruminations on the Writings and Works of Peter Halley, monograph / exhibition catalogue, Galleria Mazzoli, Modena, Italy.

2017 Alex Barbanti, Peter Halley: La Forma Geometrica Del Pensiero, dissertation (Bologna: Universita di Bologna, 2017).

2017 Peter Halley, Boats Crosses Trees Figures Gouaches 1977–78, exhibition catalogue, Karma, New York.

2017 Peter Halley, Interview with Sam Gilliam in Sam Gilliam, exhibition catalogue, David Kordansky Gallery, Los Angeles, 2017

2017 Peter Halley, Paintings from the 1980s, exhibition catalogue, Stuart Shave/Modern Art, London.

2017 Peter Halley: 23 June - 10 September, 2017, exhibition catalogue, Gary Tatintsian Gallery, Moscow

2017 Flash Art 50th Anniversary, Flash Art

2019 Elaine Equi, The Intangibles, (Coffee House Press)

2019 Peter Halley: Paintings of the 1980s: The Catalogue Raisonne, (JRP Ringier)

2019 Heterotopia I, exhibition catalogue, Flash Art, Milan.

2019 Mangold Halley Modern Postmodern, exhibition catalogue, Maruani Mercier Gallery, Brussels

2019 Qube, Lauren Clay, Peter Halley, Ustanova s Kulton, Galeria Kula

2021 Big! Large-format works from the Sprengel Museum Hannover, exhibition booklet (Hanover, Germany: Sprengel Museum Hannover, 2021), cover.

2021 Novas Pinturas, exhibition catalogue, Galeria Millan, São Paulo.

2021 Stefano Castelli, “Peter Halley Dentro prigioni fluo.” Arte, April 2021, 62-67.

2022 Lien Devriese, Walter Vanhaerents, Vanhaerents Art Collection - Looking Ahead, (Brussels: Vanhaerents Art Collection, 2022), 11, 170, 171.

2022 Reine Form Sache: Konstruktiv-Konkrete Kunst Aus Der Sammlung, exhibition catalogue, (Ulm, Kunsthalle Weishaupt, 2022), 90-92.

2022 Somewhere Downtown: Art in 1980s New York, UCCA Center for Contemporary Art, Beijing

2022 “John Waters Sitting, 1997,” The Brooklyn Rail (December/January 2022-23).

2023 Simon Morley, Modern Painting: World of Art, (London: Thames and Hudson, 2023).

2023 Demetrio Paparoni, Giuseppe Uncini, exhibition catalogue, Dep Art Gallery, Milan, IT

2023 Art Drive-In, exhibition catalogue, (Brescia: Generali Agenzia Generale di Brescia Castello, 2023), 26-33.

2023 Danilo Montanari, habitat. Le forme E I Modi Della Natura, exhibition catalogue, (Jesi: Fondazione Cassa Di Risparmio Di Jesi, 2023), 45.

2023 Eric Crosby and Richard Armstrong, The Milton and Sheila Fine Collection, exhibition catalogue (Pittsburg: Carnegie Museum of Art, 2023) 327

2023 Jim Jacobs and Mark Rosenthal, Minimalism and Its AfterImage, (New York: Kasmin Books, 2023), 38-39.

2023 Lisa Phillips, Everything Gets Lighter, exhibition catalogue, (Mexico City: Museum Jumex, 2023), 79, ill.

2023 Terrific, exhibition catalogue (Germany: Museum Wurth, 2023), 143, ill.

2023 The Echo of Picasso, exhibition catalogue (Spain: Museo Picasso Malaga, 2023), 96, ill., 98-99, ill.

2023 "Peter Halley: A Monograph," Hirmer Publishers, Autumn 2023, 38 - 39

2023 Newsletter #33, Almen Rech, March - June 2023, 198.

2023 Paloma Hermine Hidalgo, "Peter Halley 'Conduits Paintings from the 1980's'," Almine Rech Newsletter #34

2024 Extra Ordinary Byblos Art hotel, Villa Amistà, (Verona: Electra S.p.A, 2024), 13, ill (color).

2024 Alex Bacon, What Presence, exhibition catalogue (Milan: Luca Tommasi Arte Contemporanea, 2024).

2024 Blind Date: Die Sammlung Maximilian und Agathe Weishaupt im Dialog mit der Sammlung Liaunig, exhibition catalogue (Neuhaus, Austria: Museum Liaunig, 2024), 11, color, ill., 26, color, ill.

2024 Jisu Yoon and Kim No-am, Flowing Winds, Blowing Waves, exhibition catalogue (Gwangyang, South Korea: Jeonnam Museum of of Art, 2024), 122, color, ill.

2024 Margaret Andera and Michele Grabner, 50 Paintings, exhibition catalogue (Milwaukee: Milwaukee Art Museum, 2024), 86, ill.